Angel Calling

Golden autumn . Abstraction landscape Oil on canvas Autumn nature is so irresistible that you want to capture all its beautiful moments. The time for a variety of golden colors does not last long. The wind becomes piercing, cold and strong, forcing the trees to shed their leaves. The time of falling leaves comes. The golden time is very rich in bright colors, it is very beautiful from this and causes special admiration.

Golden autumn

Still Alive

I’ve hurt you once. You’ve hurt me twice.

Nothing matters now.

Missing, hating, leaving, switching.

Who cares?

I’m just slicin’ em.

Tomato rampage.

Tomato rampage

Aixu attraversa la strada

Limited edition fine art  prints for collectors and galleries. 

Produced on baryta quality paper, all limited edition prints are signed and numbered by hand by the artist. 

Each piece of artwork is accompanied by a Certificate of Authenticity. 

Dimensions represent full paper size, including borders (2cm).

Prints are shipped unframed.

The artist reserves the right to produce up to two Artist Proofs for each artwork in addition to the edition sizes listed.



The Stalker

Resonant 01

Woman House is a motif that has been reimagined throughout Feminist art history. It symbolises, questions, and subverts the traditional female identity within the home. In this piece, the home is a source of conflict, it acts as both my sanctuary and my cage.

Woman House

This is a new series where I have mapped my photograph into different Origami designs. My mom taught me origami ever since I was little and this is a fun way I can incorporate something from my heritage into my body of work that involves masks and self-portraits. 

Self-Portrait (Origami Compilation)

A Monday Afternoon in The City

AL177.1/2/3/4: Omnipresence

Lanterns symbolize the inner light that guides us through periods of darkness. They encourage us to find our inner strength by illuminating our life journey in the world. Delicate silk objects capture the light, creating shimmering effects and moving slightly when a person goes nearby as if engaging with that person, inviting them to stop, pay attention and enjoy the moment. 

Lanterns III

Lookout Points Series

The "headless women" series arises from my need to represent the precariousness of women's rights in the world.

This artwork has been exhibited at the VIAF16th, Venice International Art Fair, Palazzo Bembo, 2-23 December 2022.

Il mare sopra ("Headless women" series)

When I paint abstracts I work intuitively. My process starts with random strokes and as I do them,
I get inspired about how to proceed next. At first, the shapes seem random, but layer by layer they start to connect and make sense. This is the most challenging and also satisfying step because I get to experience and see how the chaos starts to get form and meaning.
In the end, I look at the painting and the title of the painting comes to my mind.
I use brushes, spatulas, and sponges to create textures and shapes, I love to combine all the tools as each one allows me to create a different shape.
I am inspired by the colors and shapes of things, it can be anything I see or dream of


Roundabout

This is a part of my current art project to visually narrate the story of the migration of osprey in the Britain, and the isolation of Ō Ō birds in Hawaiian islands. 

Scottish Osprey

Soft layers of colour with abstract bodies embedded

DREAMY LOVE II

A musical instrument sculpture that facilitates a sonic ritual for up to seven people.


Kyrie, eleison

This work is part of the installation “my playbench in the workground.” This work comes from the “axe before entering” TV trope. During the exhibition, the kinetic concrete Maneki-Neko constantly knocks on the door gently while an axe is placed leaning against the door. Through a cartoonish depiction of the usually super violent trespass scene, this work contemplates the differences between the use of tools in our daily life and that in mass media, the gap between the actual and the representational, and the complex relationship between desire and violence. 

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