Requiem 

“Gluttony” is a screen printed pop up book. Inspired by my experience with bulimia. Five spreads show fives causes of gluttony. The first is greed for wealth and power. Second is greed for sex. Third is sadness. Fourth is guilt. The fifth is homesickness.



Gluttony

Oil, acrylic and mixed media on canvas, 40x50cm, 2021.

Untitled

Animal: The Other Side of Evolution

Dysmorphia 

I made the triptych " I see you" during the first wave of pandemic in Germany while I was contemplating how it all will affect the world and our perception of each other. Each painting is dedicated to different ways of uprooting yourself and finding connection in times of anxiety, through reflection in and comparing oneself to the others, through finding yourself in nature or through submitting yourself to higher power.

My work depicts my worries about the intimacy, trust and uprising polarisation of society.

I See You, Vol1

Undies on the Beach

Incaseofemergency-CTRL.ZZZZ  2021  120 x 140 cm  Acryl on canvas 

INCASEOFEMERGENCY-CTRL.ZZZZ

Clint

TIME CAPSULES, 2022, is a Macro Photographic Series composed of delicate abstract images evoking another World, another Time, stored in bubbles that retain memories of the Past...


Time Capsules S5

Habitat for a Desert Dweller V

This work is melancholy, perhaps incompleteness, as if I could not decipher reality. I call it Mystery. "The Brightest Star" is inspired by observing the stars while my Nature hikes. Slowly into the valley. I'm drifting by the inner voice of my mental base, which feeds a deep vein of one idea—dissolve upon the silence of the brightest star. I will be returning here and gaining myself impassively again and again.

  
✔ The painting is signed on the front and back. It is on a gallery-wrapped canvas with finished black edges and comes ready to hang. "The Brightest Star" was created between March/May 2022 at the Otherworldly Dream Studio in Jerusalem.

  
About the series "Silence Returns": For those who tend toward symbolism, silence & mystical wandering, the popular series “Silence” is continued with a more relevant artistic twist. When I find myself at one with nature, I understand how much what surrounds me defies explanation. It isn't easy to define in words. I know most of these feelings are so elusive that I can only be in them without necessarily logical construction within the limits of the mind. So I enjoy and appreciate the warmth and love I am at that point connected to. I think the critical issue of having consciousness with receptors attached to it is the ability to perceive this living world as subtly as possible. During nature hikes, mechanisms turn on in me that in the normal state are practically inactive. So I am finally starting to use my receptors not only to survive in modern society but also I look for a haven for my soul. This series is a struggle, an eternity versus ignorance. It's the loss of oneself as a social person but the acquisition of as a person of the Earth. You are reborn, albeit in pain, but after this revelation, you will never be the same again when you return to your concrete sarcophagus.

The Brightest Star [SOLD]

This artwork belongs to a series of abstracted compositions I created using rudimentary shapes as a primary source for language. How lines intersect or cross paths, how circular patterns reflect infinity and timeless conversation (or lack thereof) and how the seemingly random isn't random at all.

Thermal Mapping is a look into the crisis of global warming. An mapping of how the core of our earth is following a path of extreme overheating and inevitable devastation.

This work is created using a variety of paintbrushes, pencils and markers. While this artwork is created with a computer, the technique is still very much traditionally based. By using a drawing tablet, I stay physically connected to my drawing surface, which allows for organic gestures to stay intact and free flowing. Through the remarkable advancements in technology, a digital medium allows for endless possibilities to experiment (and blend) with textures, shapes, color, layers and papers.

Thermal Mapping

The place behind the fence has no entrance, and it was abended for more than 20 years. A young lady told me that it was a government's dog pound before, but she never saw it, so did I. I do not hear the howling but only see the branches weave in and out, and weeds have grown on the wall. I spent eight weeks shooting the only two weeds that grew at my eye level behind the fence. Every week, I shot at the same time and never changed any setting on my analog camera — instead, I needed to walk near the fence again.

When I can see you through the fence only

The Landscape project started in 2018 with the idea to express itself as a reset of the classic academic landscape painting exercise for the representation of a wide and careful composition of natural bodies in various geographic, chromatic and climacteric contexts, where human or artificial structures where, sometimes, also included.
The intention is to remove the term “scenic” and two-dimensional aspects from this artistic expression, updating it to a contemporary context, with four dimensions, leading the viewer to witness this landscape, this “frame” as a real and natural physical space.
Thus, we no longer integrate an individual graphic interpretation, but evolving to a full experience with a tectonic reaction that encompasses multiple perceptions and interpretations.
We are now inside a limitless space for art, and we unconsciously enhance our abilities to perceive space without Cartesian references.
Landscape is an “homage” to nature as new perceptual exercise created through the insertion of a disruptive artificial element. All of the installations are temporary and all materials used for the construction of the pieces are reused from waste of cinema decor industry.
Through this construction, the artist reveals his imaginary, and the viewer his perception.
Form, scale, color - search for configurations without equivalents in the natural environment, to establish a new scenic dimension that provides the observer with a different reading and experience of the landscape, with the main purpose to promote awareness and appreciation of both.
It is a moment of contrast between reality and illusion, organic and geometric, natural and artificial.
The idea is to expand the Landscape project to other territories with a new process of investigation and installation, with the intent to record as maximum landscapes as possible.

Landscape Series

Strategic Search

From my solo exhibition «Siamese cats» in Montreal

Oil on canvas
9 feet by 7 feet
2021

The Scar

Blush is a generative simulation environment that models the flow and blending dynamics of paint. An array of control parameters allow artists and designers to experiment with hue, saturation, blending characteristics, and viscosity. These design experiments can be rendered as still images or animations that highlight the paint-like qualities of the digital material.

Blush

The Intimacy of a Strange Being is a series of self-portraits that explores the frustrating and disarming experiences of life trying to find a way not to vanish. It is an act of resistance to overcome the unbearable sense of melancholy. A melancholy caused by the dichotomy of the relationship within the self.

The Intimacy of a Strange Being

We have to learn to protect our environments, one step at a time. If we don't, we run the risk of exhausting all our natural resources. Half the fun of traveling is immersing in the pleasures of the surroundings, but if we're not careful all we'll have left to witness is barren deserts.

HotSpot
Digital Drawing on Hahnemühle William Turner paper
36in x 48in with a .39in border - external dimensions 36.8in x 48.8in
2021


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