In this essay the images hover between reality and concepts to examine the way in which we view the world, our dreams and imagination fuelled by drives and desires. At the same time it intends to give the viewer space to delve into their own imagination and thus continue the story.

The domestic habitat is the ultimate known and therefore a context of uncertainty carries much more weight symbolising a rupture between the subject and the context. 

The questions asked by the images in this essay are no longer about people, who seem to have vanished, but about its very raison d'être. 

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David Leshem