My primary interest is the potentiality of objects— and the physical or psychological state changes that take place inside and around us at any given moment.
​
My recent work focuses on a challenge to create figurative paintings which defy a conventional representation of the body and present an alternative that is much more about our conscious and unconscious experience of being in the world.

This embodiment references the relationship between our own physicality and our cerebral, societal and imaginative life, foregrounding altered states such as dreaming. It’s very important to me to contrast this intangible scenario with our inevitable, visceral experience of the world.

My compositions focus on the human form, often unrecognizable as if affected by the skewed and invisible forces of contemporary physics, revealing the lack of certainty in what we perceive as conventionally reliable spaces and interrelations of objects.

The body-subject is therefore present in my works in parallel with a quest to see the space of nothing.
​

Code Red Series No.02

Reverberation Series No.04

Code Red Series No.04

Code Red Series No .03

Code Red Series No.01

Reverberation Series No.03 

Reverberation Series No.02

My primary interest is the potentiality of objects— and the physical or psychological state changes that take place inside and around us at any given moment.

My recent work focuses on a challenge to create figurative paintings which defy a conventional representation of the body and present an alternative that is much more about our conscious and unconscious experience of being in the world.

This embodiment references the relationship between our own physicality and our cerebral, societal and imaginative life, foregrounding altered states such as dreaming. It’s very important to me to contrast this intangible scenario with our inevitable, visceral experience of the world.

My compositions focus on the human form, often unrecognizable as if affected by the skewed and invisible forces of contemporary physics, revealing the lack of certainty in what we perceive as conventionally reliable spaces and interrelations of objects.

The body-subject is therefore present in my works in parallel with a quest to see the space of nothing.
​

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