Series “Can Be Heard - The Silence, I See - The Nothing”

Mixed media on Linen canvas

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We give too much space to emptiness and nothingness, and too little to human feelings and empathy.

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Contemporary Abstract ''UNTITLED''

Even the harshest living conditions can become bearable when one observes that others around them endure similar hardships. The shared experience of adversity often molds our perception, making suffering seem less extraordinary when it is a common reality among us

A paradise of dolls Series

Born on November 16, 1995, in Tbilisi, Georgia, GELA MIKAVA is an artist with a unique multidisciplinary approach, blending architectural precision with artistic innovation. With a foundation rooted in both bachelor’s and master’s degrees in architecture from the prestigious Technical University, MIKAVA’s work reflects a seamless fusion of architectural principles and artistic freedom.

  
Artistic Journey & International Recognition

MIKAVA has quickly made a name for himself on the global art stage. His work has been featured in numerous personal and group exhibitions, including notable events like the Affordable Art Fair and Battersea Art Fair in London. One of the highlights of his career was being the youngest artist at the Hessinck Live Auction in the Netherlands, where his pieces were sold alongside Andy Warhol and Banksy—a testament to his rising prominence in the world of art.

  
Lester Mark Collection: A Testament to MIKAVA’s Talent

One of MIKAVA’s proudest achievements is having his painting and art installation included in the prestigious Lester Mark Collection. This world-renowned collector’s endorsement solidifies GELA MIKAVA as an influential figure in contemporary art, sharing space with some of the most sought-after artists of our time.

The wolf's dance in white

"Even the harshest living conditions can become bearable when one observes that others around them endure similar hardships. The shared experience of adversity often molds our perception, making suffering seem less extraordinary when it is a common reality among us.".

Untitled

The Wolf's Dance in green

The Wolf's Dance

"The Bijouterie" by Gela Mikava delves into society's obsession with wealth and luxury through the representation of earrings and precious stones as prominent elements in the artwork. These symbols serve as visual metaphors for the desire for material possessions and the status they bring. By emphasizing the importance placed on external wealth and opulence, the series challenges viewers to question the underlying motivations and consequences of such pursuits.

  
The portrayal of earrings and precious stones in the artwork draws attention to the allure and glamour associated with these items. They symbolize the embodiment of wealth and luxury in society, often representing success, power, and social standing. However, beneath the surface allure, the series prompts viewers to consider whether material possessions truly hold the significance and fulfillment that they are often attributed.

  
By raising questions about the true value of material possessions, "The Bijouterie" series invites viewers to examine their own relationship with wealth and luxury. It encourages contemplation on the broader implications of a society consumed by materialism and the potential impact on individual well-being, personal relationships, and societal values.

  
Overall, the painting series "The Bijouterie" serves as a catalyst for introspection and critical reflection on materialism's pervasive influence in our lives. It seeks to provoke a reconsideration of our societal values, encouraging a shift towards a more balanced and meaningful existence beyond the superficial pursuit of wealth and luxury.

The Bijouterie in Red

The Bijouterie in Green

The Bijouterie in Black

Abstracted face by Gela Mikava. Mixed media on canvas and Clear Cellophane Wrap Roll

Abstract face in blue and orange

  
Abstracted face by Gela Mikava. Mixed media on canvas and Clear Cellophane Wrap

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Gela MIKAVA