Tornado

The market stalls lining the street add an interesting dimension to the composition. The use of bold and saturated colors is a defining characteristic of this painting with the contrast between the bright yellows and reds in the clothing with the more muted tones in the background provides a striking visual balance.

  
The painting style of the artwork exudes a vibrancy and energy. The slightly abstract vs. slightly realistic rendering creates a compelling blend that captures the essence of a lively market while adhering to the artist’s interpretation. The strong use of color, along with somewhat distorted scale and perspective, imbues the painting with a sense of liveliness and presence.

Bangkok Soi #1

The Noise of Silence is born as a spectator and carries the sociological patterns of human society on its back. This statue is depicted as a figure silently observing the events around him.

  
This viewer reflects the inner world and relationships of people while trying to understand the flow of events. It is part of human nature to be a silent observer to watch, understand and internalize.The statue symbolizes the cycle of human life and society. In a world where events follow each other and change and evolution constantly continue, the viewer is a part of this cycle. The Spectator is described as a being who is inside this cycle and observes it.

The Noise of Slience

"Psychedelic Forest" is an insightful trip to the world where nothing is defined yet. The place where universal forces are playing all along what makes time lose its ordinary meaning. We have to define everything from scratch relying on our minds. If we want to understand ourselves, we need to project it on the canvas of time, and at a particular moment, all hidden senses will reveal themselves in many different forms. They're all will be linked together like a forest that connects all living things.

Psychedelic Forest

Pythagoras, the Greek philosopher, purportedly discovered the secret of harmony when he came across five blacksmiths hammering in a village. The five hammers were producing a wondrous collective sound. Yet, Pythagoras realized that only four of the five hammers were throwing off true harmony. That fifth hammer was a bit off. Pythagoras could not measure it; nor could he understand its discordant sound. Like many practitioners today, Pythagoras discarded that fifth, outlier hammer.

  
it is clear that the fifth hammer did not contribute beauty and magic by fitting in. Rather, it made a difference by standing out. It turns out that the fifth hammer was a misfit and the secret to the entire sound that piqued Pythagoras’ ear initially. The fifth hammer added grit and resonance to a system that would have been flaccid without it.

  
In being discordant and different, the fifth hammer actually created harmony.

  
\-

  
**_The Fifth Hammer_** is an archival Oil Monotype on Cold Press 300g paper.

  
Monotypes were made popular by such artists as Paul Klee and Edgar Degas. This monotype was created by applying oil stick to plastic and then manually pressing my image to paper. By using my hands, I can create varied tones, controlled and painterly gestures as well as many unpredictable textures. Because I use minimal tools and materials, the original plate (or drawing) is destroyed with the printing process, making each monotype a truly one of a kind piece.

The Fifth Hammer

My city of childhood 

Aralia ( Series).

Thi is the the fifth in the "Unclassifiable creature" Series.

It was created as a temporary collage with reusable pieces. Green acrylic on cardboard, alcohol ink and fashion magazine cut-outs, one layer of fluorescent marker and plant elements.

After scanning, digital textures and colour gradients are added.

Direct print on Aluminium.

Single edition (plus one for the artist).

Aralia (Creatures Series)

My figurative compositions are imbued with romance and sensuality, I start with a realistic figure and incorporate abstract elements into the painting. Sometimes the abstract parts are minimal, and sometimes they are more pronounced, depending on the specific piece I am working on. 

Nude

From which star did we fall?

This Interactive audiovisual installation is the 'afterglow' of an occupant's impact in space, both physical and perceived.

  
The room is reconstructed using light and sound, creating a constantly shifting perception of fluid space in flux, responding to the behaviour of the occupant. It captures the sound of viewers' steps to modulate it and visualizes it to shape the space in real-time.

  
The installation allows viewers to consider the boundary between tangible physical space and intangible perceived space from sensory perception, light and sound. We can be physically present in a space, but our minds constantly switch between and disconnect from different perceived spaces.

  
This project combines both the material and the immaterial to represent the dynamic of people's living experiences across differing spaces. The direct and indirect energies of light and sound switch between each other, creating a series of immersive spatial experiences. The impact of the initial energy of sound gently fades into indirect reflections and fades out, being replaced with light, illuminating the site and creating the 'afterglow'. Direct light flattens three-dimensional objects and frames the structure of the space, while indirect light leaks out subtly to imply the edge of the space.

  
When viewers step into the room, the afterglow of their impacts alters the space they are present and shapes sensory perception.

AfterGlow III

When My Peonies Bloom

  
Urs Manuel Jörger is an expressionist artist based in Switzerland.

  
He has garnered recognition for his distinctive approach that seamlessly blends fine gestural brushstrokes with intricate details, featuring plain spaces, written elements, and abstract shapes.

  
At the heart of his work lies a profound exploration of philosophical questions, skillfully interwoven into his multimedia paintings. His artistic identity is characterized by a harmonious fusion of painting, wiring, drawing and meticulous detailing, creating a unique visual language that captivates viewers. He delves into the complexities of existence, inviting contemplation through the interplay of form, color and symbolism.

in aeternum

This artwork examines the contrasting ideas of safety and security that stem from our connection to the womb, as well as the divisive matters surrounding the weaponization and politicization of this subject.

Something About The Womb

In the quiet theater of the mind, self-reflection unfolds as an intimate dialogue with the soul—a delicate dance of thoughts and feelings, swirling in the light and shadow of our innermost selves. It is a journey inward, where each step taken peels back the layers of our existence, revealing the raw essence of who we are. Through the lens of introspection, we become cartographers of our inner landscape, tracing the contours of our joys, sorrows, and desires. This act of turning inward is not merely an exploration but a transformation—a metamorphosis where understanding blooms from the fertile soil of contemplation. In the embrace of self-reflection, we emerge more attuned to our authentic selves, guided by the stars of our deepest values and dreams. It is here, in the silent conversations with our spirit, that we uncover the artistry of our own lives, painting our paths with the hues of awareness and purpose.

Reflections

Kraken

Mr. Wind

Derivative work from the **_Nearer Your Destination series, a multi-media exploration of family, place, and tales._**

Nearer Your Destination

The human brain can be related to television or AI as it continuously consumes and analyzes data daily. Memories are stored within our minds, much like the photographs in an album. Certain music can evoke specific moments or memories from our lives, while video games can elicit feelings of happiness and excitement. Many individuals contemplate existential questions of their “realness” within reality and ponder the very nature of reality itself. Some question whether we are merely robots with distinct genetic internal wiring or if we are controlled by a higher power, existing as souls within physical bodies.

  
As time progresses, old traditions and technologies fade, much like the desire for the latest iPhone model. The outdated ones are eventually forgotten and deemed “non-functional,” similar to the natural cycle of human life. There is a fear that one day, everything in our lives will be controlled by a data source and artificial intelligence, resulting in a false reality. Just as we program computers and other electronic devices for specific purposes, we, too, are assigned a purpose and a path. However, true freedom can only be attained by breaking free from this simulation. 

  

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