This is one of the most incredible pieces of art by me.

as you can see the video on instagram it has so many details and I worked on that for 2 months which Im proud of it.✨🗽

This ring is more than just an accessory and more than just a sculpture; it is both at the same time.

lets mention that it’s one of a kind piece and after selling, there won’t be another one .

David Ring (Michelangelo)

Bang Bang

Moroccan world cup Stamps

https://jacquelineheerportfolio.format.com/portfolio-iii

The Selfie in Times of Cyborgs: A Masquerade #2

My journey began as a visual artist and traveler, drawn to the open horizons and the whispering secrets of nature. I was captivated by the vastness of the sky, the rhythm of the waves, and the untamed beauty of the wild. This deep connection to nature, particularly water, wind, and open spaces, was something I always felt, even before I discovered my zodiac sign, Gemini. It was later, upon learning about the traits associated with Gemini, that I realized how deeply my love for the outdoors resonated with this air sign.

As I delved deeper into the world of astrology, I stumbled upon a fascinating connection between Gemini and two creatures I'd always admired: frogs and dragonflies. Both these creatures, like me, were drawn to water, mud, and the open air. There was a sense of kinship, a shared affinity for the fluidity of existence, that resonated within me. It was as if I had found a reflection of myself in these creatures, a metaphorical bridge between my inner world and the natural world that surrounded me.

This discovery ignited a spark within me, a desire to explore this connection more deeply. I began to see the world through a new lens, noticing the intricate details of nature, the delicate dance of a dragonfly's wings, the quiet resilience of a frog nestled in the mud. My artistic expression became a conduit for this newfound understanding, a way to translate my observations and emotions onto canvas.

Watercolors, inks, and various art papers became my preferred mediums, allowing me to capture the ethereal beauty of water, the vibrant hues of the sky, and the subtle textures of nature. My hands moved with a newfound purpose, guided by an inner compass that pointed towards the heart of my connection to the natural world. I incorporated painted threads and stitches into my artwork, symbolic representations of the delicate threads that bind me to these creatures, to water, to the air, and to the earth itself.

My art became a visual language, a way to express the unspoken emotions and experiences that I shared with frogs and dragonflies. I painted the ephemeral beauty of a dragonfly's flight, its wings shimmering like stained glass in the sunlight. I captured the quiet stillness of a frog, its eyes reflecting the vastness of the sky, its body a testament to the resilience of life. Through my art, I sought to celebrate the interconnectedness of all living things, to remind myself and others of the beauty and wonder that surrounds us.

Nature, in all its splendor, became my muse, my teacher, and my inspiration. The colors, textures, and shapes of the natural world found their way into my art, imbuing it with a sense of balance and harmony. I learned to appreciate the subtle nuances of light and shadow, the way a single leaf could hold a universe of beauty, the way a simple stone could speak volumes about the passage of time. Nature's beauty, its power, and its fragility, all resonated deeply within me, inspiring me to create art that reflected these emotions.

My journey has been one of discovery, self-exploration, and artistic expression. Through my art, I have learned to appreciate the interconnectedness of all things, to embrace the fluidity of life, and to find beauty in the unexpected. I have found a sense of belonging in the natural world, a place where I can truly be myself, where my spirit can soar alongside dragonflies and my heart can find solace in the quiet presence of a frog. My art is a testament to this journey, a reflection of my love for nature, and a celebration of the beauty that surrounds us all.

Zaheer Chaudhry

Wetlands

Punto Zero. An object that wanted to change the world, is an exhibition curated by the students of the School for Curatorial Studies Venice. The students have developed a curatorial project investigating the invisible qualities of objects. Through installations, sculptures, sound, and site-specific performative events, the visitor will have the opportunity to confront the nature of the objects that surround us.The exhibition can be visited between the 13 and 21 of May at Istituto secondario di primo grado Pier Fortunato Calvi, located between the Giardini and the Arsenale of the Venice Biennale.

Oli Bonzanigo

76 frames acrylic on paper looping animation

Revolve

These are artwork from my visions, you can check them out on my website.

Visionary

A memoir of just a few weeks, experimenting with a new technique I developed with print transfer using snippets of my camera roll and sketches to create a piece seemingly in OS software, breaking a digital boundary while staying true to my love of messing with the color schemes and juxtaposition of everyday objects and memories.

Lately

While having lunch at a tavern, an elderly woman caught my attention. Her expression reminded me of my father, with whom I had a 65 year age gap. This is why I have deep respect and attentiveness for elderly people. I was drawn to her calmness which inspired me to create an artwork. The present juxtaposes the past with her youthful hands sprouting memories in the middle space. Figurative painting contrasts with abstract shapes. This picture pays hommage to the elderly.

Stoicism 

Authenticity is often lost by the chains of conviction.

Authentic Convictions

Through this piece, I wanted to express my thoughts on the COVID-19 Coronavirus pandemic and how it had affected people's lives and, specifically, mental health.

The artwork consists of a large sterling silver, double-pin brooch, with elements representing a cityscape, a window or isolating room, the horizon and a small branching structure (called a "spike glycoprotein") that protrudes from the main spherical body of the Coronavirus, as depicted in media. The brooch was designed around a partial spherical shape, representing the earth and the shape of the Coronavirus. I have used texture as a way to show the feeling of separation and ‘other’ felt by people during the pandemic.

Isolation, loneliness, alienation, the fear of the crowds... these are the themes I wanted to touch on through this piece as the world experienced one of the most turbulent and polarising events of the 21st century.

Isolate, Alienate

BUSTING MY ASS

Bollicino 

LOST IN YOUR THOUGHTS

"In My Mind" collage intricately blends elements to convey the interplay of thoughts, emotions, and experiences within the mind, encapsulated in a dynamic and visually engaging composition.

At its core, red sponge represents the mind, textured and absorbing, symbolizing the complexities and depth of thoughts. Intertwining threads weave through the sponge, illustrating the interconnected nature of thoughts and emotions that shape our inner worlds.

Surrounding the sponge is a crystal belt, transparent and protective, symbolizing clarity and containment amidst the chaos of mental activity. Within the collage, different scenes depict people dancing and engaging in various activities, reflecting the diverse facets of life and the multifaceted nature of human experience.

Above the scenes, a sponge adorned with pins symbolizes a sense of controlled chaos. The pins suggest order and structure within the tumultuous flow of thoughts, transforming chaos into constructive freedom. This juxtaposition invites viewers to contemplate the balance between spontaneity and control in navigating the complexities of the mind.

In My Mind

This piece depicts my senior year of high school. The people, the feelings, and the moments that stuck with me. I wanted to capture the joyous chaos that is your last year of high school I wanted to share that last moment you have to be a kid.

Senior Year

**"Dialogue of Heritage"**

The final artwork in the series brings forth the concept of conversation across time. Featuring a central figure clad in a teal-colored suit juxtaposed with an archival black-and-white image of a traditionally dressed person, the artist visualizes the ongoing dialogue between the past and present. The piece employs striking colors—yellow, purple, and teal—to symbolize a bridge between different eras and styles, suggesting that modern African identity is an accumulation of conversations with history, culture, and the global stage. The leopard skin beneath the figure reinforces this notion of continuity in cultural symbolism.

  
**Intention**: To establish a visual conversation between the modern African individual and their ancestral past.

**Relevance**: This artwork emphasizes the continuous relationship between tradition and the present, suggesting that modern African identity is layered and complex, with both historic and contemporary influences informing its evolution.
  
  

Toro Ya Bone  (The Fourth Dream)

KitSü is a piece of art furniture that allows you to reconnect with yourself, but also with others. I wanted to create a piece of furniture that is both a separator and a unifier, capable of bringing different people together in the same space. In other words: a space within a space.

Inspired by the Kitsune, a fox spirit with polymorphism, and many other powers, I wanted to create an object in the image of an ancestral love story between a human and a spirit. The KitSü desk screen is my interpretation of this story.

Shaped like an egg, it features a fan-shaped desk adorned with brass leaves, straw inlay and white oak to highlight the workspace. A solid white oak structure has a hexagonal pillar in the center on which are fixed 3 curved wooden panels. Among these 3 sides, one is composed of circular mirrors backed with white oak and inlaid with blue and black straw in reference to the Kitsune fire. It has the particularity of being able to be fixed on different sides of the central pillar with screws, to change the shape of the object. The other two fixed sides, also serving as a foot of the desk, are simply empty: They make the link between the office space and the rest of the composition.

The overall shape of the object is that of a cocoon, while leaving it open to the world around it. Its possibilities of arrangement are multiple and thus leave room for the creativity of each.

KitSü

https://xlelife.substack.com/p/let-1000-flowers-bloom-mood

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