The Still Life works are fully digital, and by that I mean every pixel has only ever existed inside the digital realm (no textures, bump maps etc are from photographs or scans). The reason for this was to point out that the human eye can no longer tell the difference between the fabricated or the real, going one step further the scene and all that is in it mimics a our reality, further undermining our ability to tell the difference. I ask the viewer to look strong and hard at the image, the harder one looks the more convinced they are that it is real. Whereas the opposite used to be true of digital imagery, where the more you looked the less you believe it to be real.

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Still Life no. III