Two partly dismantled motorbikes face each other. Their hectic honking and the aggressive pulling of the ignition remain a failing attempted rapprochement: None of their motors is ever been turned on. Both vehicles are exposed to a different movement inevitably, which’s consistent progress seems to have removed some of their parts already: Their own decay.

The horn, a universal sign of warning, becomes a mono-vocabulary language: A primitive dialogue is suggested that humanizes the mopeds, providing a dystopian picture: Disintegrating machines face each other as human equivalents in a social encounter, against their nature in restraint to standstill – Yet connected by their distant, disharmonious dialogue, that is based on warning signals. 


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